Just finished a hectic three days for two magazines, Vogue Brazil... Read More
JoinedFebruary 1, 2019
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In Part 4, we were left facing the subject, we had tested the light and had to determine the difference between the foreground and background intensity. You also had to decide how much of the principal subject was going to be lit.
Now that you have done your test shots and are satisfied with how it looks, you can commence shooting with this very simple lighting set up. Read More
Marvin Kanarek shares his impression and feelings after the tragic death of musician and artist Michael Jackson who he never met but new a bit about through common associates. Read More
This will probably be one of the shortest posts I have ever written. I am really excited to announce that I will be shooting for VOGUE Brasil tomorrow. Read More
Now that you have your light set up for the model and the reflection of the object on the background, it is time to determine the ambiance your wish to create. If you are looking for a more "Cinema Noir" look you may wish to isolate the foreground from the background by increasing the out put of the flash on the subject and letting the background go darker by another 1 to 2 stops. Read More
I am posting this for those wanting to try small object still life photography. This is just one of a multiplicity of ways to do so... Read More
TWO COWS
A CHRISTIAN DEMOCRAT: You have two cows. You keep one and give one to your neighbor. Read More
Tetyana Brazhnyk for Spoon Magazine is playing a dualistic role in front of the camera captured by Benjamin Kanarek Read More
That is a difficult question to answer. I am not your classic photographer. By that I mean, I never intended to be a photographer. It just kind of happened by accident. Read More
Lighting Sketch © benjamin Kanarek Now that you have put together some of the tools required for this first exercise,... Read More