A very important aspect of choosing which part of the subject shall be hit by which type of light source is something I consider very closely when doing a selective lighting exercise in my shoots - Part 5 of the series Read More
Remember you my last post about Adding Dimension to Your Flat Photos - One Post Production Technique, well nothing is carved in stone, here is one variation Read More
I am posting this for those wanting to try small object still life photography. This is just one of a multiplicity of ways to do so... Read More
In this installment, I would like to discuss how to control your light with greater precision by mixing “Hollywood Grids”... Read More
Editing Pictures is as Important as the Photo Shoot. It can define your style.
I am sharing with you my own editing process. Read More
A new look on the fashion scene is back in fashion photography - That is that 1980s blown out, overexposed skin tone look and effect - Benjamin Kanarek explains his technique Read More
Here is my interview by Phillip Skulte for Camera Waves Radio which was done about two and a half years ago. ... Read More
Lighting Sketch © benjamin Kanarek Now that you have put together some of the tools required for this first exercise,... Read More
In Part 4, we were left facing the subject, we had tested the light and had to determine the difference between the foreground and background intensity. You also had to decide how much of the principal subject was going to be lit.
Now that you have done your test shots and are satisfied with how it looks, you can commence shooting with this very simple lighting set up. Read More
Eyes of Laura Mars I was inspired to write this short introduction to this film from 1978 starring Faye Dunaway... Read More