{"id":9460,"date":"2010-08-09T17:42:41","date_gmt":"2010-08-09T15:42:41","guid":{"rendered":"https:\/\/thebkmag.com\/?p=9460"},"modified":"2010-08-09T17:42:41","modified_gmt":"2010-08-09T15:42:41","slug":"favorite-focal-length-studio-fashion","status":"publish","type":"post","link":"https:\/\/thebkmag.com\/rebuild\/photography\/favorite-focal-length-studio-fashion\/","title":{"rendered":"My Favorite Focal Length for Studio Fashion"},"content":{"rendered":"<h6><span style=\"color: #333333;\"><strong>Studio Fashion<\/strong><\/span><\/h6>\n<p>Everyone I know in the business have their preferences regarding focal lengths for different applications. I tend to work quite a bit shorter than most when it comes to working in closed quarters in a studio environment. I specify this for a reason. Studio work is a fixed space that you set up lights in and know what those dimensions are for the whole day of the shoot. Unlike interior location shoots where you often have to change settings and adapt your focal lengths to the circumstances.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9462\" title=\"DonnaKaran\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/254.jpg\" alt=\"\" width=\"349\" height=\"410\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/254.jpg 349w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/254-255x300.jpg 255w\" sizes=\"(max-width: 349px) 100vw, 349px\" \/><\/p>\n<p style=\"text-align: center;\">Above Illustration by: <a href=\"http:\/\/www.donnakaran.com\/\" target=\"_blank\">Donna Karan<\/a><\/p>\n<p>It is for this reason, that I often find myself using a wide angle zoom in non studio environments.\u00a0 My focal length of choice in 75% of my studio shoots is around 60-75mm i.e. 40-50mm in the 1.5 ratio APS-C sensor cameras. But I tend to shoot closer to the former. I have read on several forums that the majority of shooters tend to shoot quite a bit longer i.e. 90-120mm i.e. 60-80mm 1.5 ration APS-C sensor cameras. I find that getting in closer to the model, allows you to communicate on a different level which in my opinion is more immediate. I am also not that fond of (at least at this juncture in time) of that compressed\u00a0 long focal length look. All of the major brands have focal lengths that fill this criteria.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9473\" title=\"olympus-35mm-f35-zuiko-digital-macro-lens\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/olympus-35mm-f35-zuiko-digital-macro-lens.jpg\" alt=\"\" width=\"380\" height=\"380\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/olympus-35mm-f35-zuiko-digital-macro-lens.jpg 380w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/olympus-35mm-f35-zuiko-digital-macro-lens-150x150.jpg 150w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/olympus-35mm-f35-zuiko-digital-macro-lens-300x300.jpg 300w\" sizes=\"(max-width: 380px) 100vw, 380px\" \/><br \/>\n<em>&#8220;Because the image sensors on digital cameras are usually smaller than a  frame of traditional 35-mm film, when a lens is used with a DSRL, you  need to account for that difference by figuring its effective focal  length. For example, a 50-mm lens on a Canon Digital Rebel would have an  effective (or &#8220;equivalent&#8221;) focal length of 80-mm lens when taking into  account the camera&#8217;s 1.6x magnification. Such magnification factors  vary from one brand of camera to another, and sometimes even among  models within the same brand.&#8221;<\/em> from <a href=\"http:\/\/www.mysimon.com\/consumer-reports\/slr-lenses-buying-tips\" target=\"_blank\">Consumer Reports<\/a>.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9468\" title=\"Pentax-35mm\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/Pentax-35mm.jpg\" alt=\"\" width=\"310\" height=\"340\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/Pentax-35mm.jpg 310w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/Pentax-35mm-274x300.jpg 274w\" sizes=\"(max-width: 310px) 100vw, 310px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9470\" title=\"41CEOa4NmTL._SL500_AA300_\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/41CEOa4NmTL._SL500_AA300_.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/41CEOa4NmTL._SL500_AA300_.jpg 300w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/41CEOa4NmTL._SL500_AA300_-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nI find that getting in closer to the model, allows you to communicate on a different level which in my opinion is more immediate. I am also not that fond (at least at this juncture in time) with that compressed\u00a0 long focal length look.\u00a0 However, I may just decide to change my mind tomorrow and start shooting 135mm f2.8 stuff and longer because it looks great for a certain application, with that blown out &#8220;Bokeh&#8221; look.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9471\" title=\"32A DUNQ CANON\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/canon_ef_35mm_f2_lens.jpg\" alt=\"\" width=\"326\" height=\"333\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/canon_ef_35mm_f2_lens.jpg 326w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/canon_ef_35mm_f2_lens-294x300.jpg 294w\" sizes=\"(max-width: 326px) 100vw, 326px\" \/><br \/>\nI have on occasion shot shorter than the above at around 30mm (45mm) APS-C, with very pleasing results, but for this focal length I need to work in studio&#8217;s with very high ceilings, as I more often than not am sitting or lying on the floor when shooting. I also need the much larger seamless when using this wider focal length or just work off of a bare studio cyclo wall.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9466\" title=\"Studio 3743 001\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/Studio-3743-001.jpg\" alt=\"\" width=\"700\" height=\"470\" srcset=\"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/Studio-3743-001.jpg 700w, https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/Studio-3743-001-300x201.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nShooting at these shorter focal lengths most certainly have a distinctively modern edgy look about them (at least for now)&#8230; So don&#8217;t be afraid to experiment with shorter than the recommended norm for fashion work. It may give you a bit of the edge to stand out from the rest of the very highly populated crowd.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-9472\" title=\"SAL35F14G[2]\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2010\/08\/SAL35F14G2-590x393.jpg\" alt=\"\" width=\"590\" height=\"393\" \/><br \/>\nWould love to get your feedback&#8230;PS: <a href=\"https:\/\/thebkmag.com\/2010\/09\/09\/my-favorite-focal-length-lenses-for-shooting-beauty\/\" target=\"_blank\"><strong>My choice for Studio Beauty Lenses<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Studio Fashion Everyone I know in the business have their preferences regarding focal lengths for different applications. I tend to work quite a bit shorter than most when it comes to working in closed quarters in a studio environment. I specify this for a reason. Studio work is a fixed space that you set up lights in and know what those dimensions are for the whole day of the shoot. Unlike interior location shoots where you often have to change [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[37,654,168],"tags":[752,714,726,717,764,718,765],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/08\/Studio-3743-001.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paG8MM-2sA","jetpack-related-posts":[{"id":1244,"url":"https:\/\/thebkmag.com\/rebuild\/photography\/lens-shooting-space-required-fashion-beauty-shoot\/","url_meta":{"origin":9460,"position":0},"title":"Which Lens and Shooting Space are Required for a Fashion &amp; Beauty Shoot? Part 1","author":"Benjamin Kanarek","date":"August 19, 2009","format":false,"excerpt":"Location and Studio fashion shoots require very different approaches to the choosing of your focal length","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/thebkmag.com\/rebuild\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/96849450.8f8t35Wr.SpringWebSpecialPaulJoe5.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10082,"url":"https:\/\/thebkmag.com\/rebuild\/photography\/my-favorite-focal-length-lenses-for-shooting-beauty\/","url_meta":{"origin":9460,"position":1},"title":"My Favorite Focal Length Lenses for Shooting Beauty","author":"Benjamin Kanarek","date":"September 9, 2010","format":false,"excerpt":"Studio Beauty In my last article I discussed which focal lengths I prefer for shooting Studio Fashion and my reasons. Beauty photography like Fashion is really a very subjective matter and the focal length one chooses will have a major effect on the final perspective rendition of the image.\u00a0 However\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/thebkmag.com\/rebuild\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2010\/09\/sony-50mm-f1-4-af-lens.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10970,"url":"https:\/\/thebkmag.com\/rebuild\/the-gear\/photography-equipment-beginner-fashion-beauty-photographer\/","url_meta":{"origin":9460,"position":2},"title":"What Equipment for the Beginner Fashion-Beauty Photographer?","author":"Benjamin Kanarek","date":"June 4, 2011","format":false,"excerpt":"I have been asked on several occasions - what gear would I need to get started in fashion-beauty photography - Here are Benjamin Kanarek's advice","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/10\/87_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":12900,"url":"https:\/\/thebkmag.com\/rebuild\/photography\/the-benjamin-kanarek-blog-2010-camera-lens-favorites-part-1\/","url_meta":{"origin":9460,"position":3},"title":"The Benjamin Kanarek Blog 2010 Camera Lens Favorites Part 1 Updated","author":"Benjamin Kanarek","date":"January 11, 2011","format":false,"excerpt":"Making a lens purchase can often be a very daunting exercise for those of you not quite sure what might be appropriate for which application.\u00a0 But being that I don't like prescribing a specific lens for a specific application, I will just choose my favorite brands of focal lengths and\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/thebkmag.com\/rebuild\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2011\/01\/Nikon-AF-S-DX-Nikkor-10-24mm-f-3.5-4.5G.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1268,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/which-lens-and-shooting-space-is-required-for-a-fashion-beauty-shoot-part-2\/","url_meta":{"origin":9460,"position":4},"title":"Which Lens and Shooting Space is Required for a Fashion &amp; Beauty Shoot? Part 2","author":"Benjamin Kanarek","date":"August 29, 2009","format":false,"excerpt":"Part 2: Beauty Doing Beauty shots is sometimes more akin to doing still life, as the lighting is over a much smaller area and thus may be approached differently than fashion. The modifiers used and the placement of the model should be planned carefully if wishing to get something out\u2026","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/Ugly-Duckling.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/Ugly-Duckling.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/Ugly-Duckling.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":21731,"url":"https:\/\/thebkmag.com\/rebuild\/the-gear\/good-budget-zoom-lenses\/","url_meta":{"origin":9460,"position":5},"title":"Good Budget Zoom Lenses","author":"Benjamin Kanarek","date":"November 16, 2011","format":false,"excerpt":"Fixed focal length lenses are no longer the be all and end all in lens optics heaven. I have used several zoom lenses that compete quit readily with some of the fixed lenses I have used. I would love to hear from those of you using zooms and your impressions","rel":"","context":"In &quot;the gear&quot;","block_context":{"text":"the gear","link":"https:\/\/thebkmag.com\/rebuild\/category\/the-gear\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2011\/11\/Lens_sidebyside-560x213.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2011\/11\/Lens_sidebyside-560x213.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2011\/11\/Lens_sidebyside-560x213.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts\/9460"}],"collection":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/comments?post=9460"}],"version-history":[{"count":0,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts\/9460\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/media\/9466"}],"wp:attachment":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/media?parent=9460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/categories?post=9460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/tags?post=9460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}