{"id":572,"date":"2009-07-09T06:53:01","date_gmt":"2009-07-09T04:53:01","guid":{"rendered":"https:\/\/thebkmag.com\/?p=572"},"modified":"2009-07-09T06:53:01","modified_gmt":"2009-07-09T04:53:01","slug":"continuous-lighting-versus-flash-lighting-fashion-photography-part-five","status":"publish","type":"post","link":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/continuous-lighting-versus-flash-lighting-fashion-photography-part-five\/","title":{"rendered":"Continuous Lighting vs Flash Lighting in Fashion Photography\u2026 Part 5"},"content":{"rendered":"<div class=\"mceTemp mceIEcenter\" draggable=\"\">\n<dl id=\"attachment_20812\" class=\"wp-caption aligncenter\" style=\"width: 570px;\">\n<dt class=\"wp-caption-dt\"><a href=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Model-Camille-Yi-and-Nicolas-Ly-in-the-mood-for-love-by-Benjamin-Kanarek.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20812\" title=\"Model Camille Yi and Nicolas Ly in the mood for love by Benjamin Kanarek\" src=\"https:\/\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Model-Camille-Yi-and-Nicolas-Ly-in-the-mood-for-love-by-Benjamin-Kanarek.jpeg\" alt=\"\" width=\"560\" height=\"368\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">Model Camille Yi and Nicolas Ly in &#8220;In the Mood for Love&#8221; \u00a9 Benjamin Kanarek<\/dd>\n<\/dl>\n<\/div>\n<p>In Part 4, we were left facing the subject, we had tested the light and had to determine the difference between the foreground and background intensity. That was a very personal decision. You also had to decide how much of the principal subject was going to be lit.<\/p>\n<p style=\"text-align: justify;\">Now that you have done your test shots and are satisfied with how it looks, you can commence shooting with this very simple lighting set up. The first thing to consider is, how will the focal length change the overall look of the image and to this end I highly recommend using a wide to medium telephoto zoom. The reason I say this is that the closer you come in to the image the less intense the contrast will appear between the foreground and the background. It is for this reason, that I want you to experiment with a 16,17,18 to 45,50,70 lens.\u00a0 This is much more dramatic than you can imagine using this lighting technique.<\/p>\n<p style=\"text-align: justify;\">In the last segment I also mentioned considering a different approach and this has been one of the very seminal moments of illumination for me in my 25+ years in photography and that is &#8220;Always break away from your assumed position and orientation, without changing the lighting of the principal person or object&#8230;&#8221; This approach has always given me some of my best images. In other words, when you have set up the lights for a particular orientation i.e. you are here and she is there, start to move away from that position and start to rotate around the subject having them follow you with a slight change of the head position and eye orientation, then gradually having them follow your movement or moving against your movement. Lay on the floor, or stand up on a cube, or come in really really tight or pull back really far and place her at the bottom right quadrant of the image, taking up only 20 percent of the surface area.<\/p>\n<p style=\"text-align: justify;\">As you start to do this you may find that there might be some additional lighting that you wish to introduce, especially in very wide angle shots for this scenario.<\/p>\n<p style=\"text-align: justify;\">We shall get in to more detail in Part 6&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Part 4, we were left facing the subject, we had tested the light and had to determine the difference between the foreground and background intensity. You also had to decide how much of the principal subject was going to be lit.<br \/>\nNow that you have done your test shots and are satisfied with how it looks, you can commence shooting with this very simple lighting set up. <\/p>\n","protected":false},"author":1,"featured_media":20812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[654],"tags":[688,686,689,661,36],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paG8MM-9e","jetpack-related-posts":[{"id":542,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/continuous-versus-flash-lighting-fashion-photography-part-four\/","url_meta":{"origin":572,"position":0},"title":"Continuous vs Flash Lighting Flash Lighting in Fashion Photography&#8230; Part 4","author":"Benjamin Kanarek","date":"July 7, 2009","format":false,"excerpt":"Now that you have your light set up for the model and the reflection of the object on the background, it is time to determine the ambiance your wish to create. If you are looking for a more \"Cinema Noir\" look you may wish to isolate the foreground from the\u2026","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Indulgence-by-Benjamin-Kanarek-560x839.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Indulgence-by-Benjamin-Kanarek-560x839.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Indulgence-by-Benjamin-Kanarek-560x839.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":617,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/continuous-lighting-versus-flash-lighting-fashion-photography-part-six\/","url_meta":{"origin":572,"position":1},"title":"Continuous Lighting vs Flash Lighting in Fashion Photography\u2026 Part 6","author":"Benjamin Kanarek","date":"July 12, 2009","format":false,"excerpt":"In this section, we will discuss the importance of scale.","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Pin-Up-by-Benjamin-Kanarek-560x722.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Pin-Up-by-Benjamin-Kanarek-560x722.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2009\/07\/Pin-Up-by-Benjamin-Kanarek-560x722.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1129,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/lighting-technique-reproducing-blade-runner-lighting-ambiance\/","url_meta":{"origin":572,"position":2},"title":"Blade Runner Lighting&#8230; Sort Of","author":"Benjamin Kanarek","date":"August 5, 2009","format":false,"excerpt":"In the film Blade Runner, the lighting was strange and beautiful. It was also very challenging to the technicians. Making the actors look good under the type of lighting used was a real feat. Kino Flo lighting was often used and not conventionally.","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/T3183JANJ1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/T3183JANJ1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/08\/T3183JANJ1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3704,"url":"https:\/\/thebkmag.com\/rebuild\/benjamin-kanarek-work\/in-the-wind-making-of-video\/","url_meta":{"origin":572,"position":3},"title":"In the Wind Behind the Scenes Video","author":"Benjamin Kanarek","date":"January 16, 2010","format":false,"excerpt":"I decided to have one of my shoots, featuring designer Paul and Joe, captured on video and to share one of my photo shoot lighting technique","rel":"","context":"In &quot;Benjamin Kanarek Work&quot;","block_context":{"text":"Benjamin Kanarek Work","link":"https:\/\/thebkmag.com\/rebuild\/category\/benjamin-kanarek-work\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2010\/01\/Julia-Potapova-by-Benjamin-Kanarek-for-Paul-and-Joe-00-560x732.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2010\/01\/Julia-Potapova-by-Benjamin-Kanarek-for-Paul-and-Joe-00-560x732.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/wp-content\/uploads\/2010\/01\/Julia-Potapova-by-Benjamin-Kanarek-for-Paul-and-Joe-00-560x732.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":499,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/continuous-versus-flash-lighting-fashion-photography-part-three\/","url_meta":{"origin":572,"position":4},"title":"Continuous vs Flash Lighting in Fashion Photography\u2026 Part 3","author":"Benjamin Kanarek","date":"July 4, 2009","format":false,"excerpt":"Lighting Sketch \u00a9 benjamin Kanarek Now that you have put together some of the tools required for this first exercise, let's do the following. Take one of the tin cans and slightly flatten one end of it so it looks more like a cats eye and place the rounded side\u2026","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/07\/114628094.HppU6INB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/07\/114628094.HppU6INB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/07\/114628094.HppU6INB.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3827,"url":"https:\/\/thebkmag.com\/rebuild\/technical-tips\/kinds-lighting-accessories-needed-sculpt-paint-light-part-3\/","url_meta":{"origin":572,"position":5},"title":"What Kinds of Lighting Accessories are Needed to Sculpt or Paint with Light? Part 3","author":"Benjamin Kanarek","date":"January 14, 2010","format":false,"excerpt":"Or how I learned to play with glass, vases, plants and other stuff... I have for years pondered how to render 3 dimensions on to 2 dimensional walls and surfaces, or how to add greater topographical richness to predictable lighted interior landscapes. Our brain through our eyes and life experience\u2026","rel":"","context":"In &quot;Technical Tips&quot;","block_context":{"text":"Technical Tips","link":"https:\/\/thebkmag.com\/rebuild\/category\/technical-tips\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/01\/islam.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/01\/islam.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/01\/islam.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/thebkmag.com\/rebuild\/wp-content\/uploads\/2010\/01\/islam.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts\/572"}],"collection":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/comments?post=572"}],"version-history":[{"count":0,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/posts\/572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/media?parent=572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/categories?post=572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thebkmag.com\/rebuild\/wp-json\/wp\/v2\/tags?post=572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}