{"id":2763,"date":"2009-11-29T01:53:36","date_gmt":"2009-11-29T00:53:36","guid":{"rendered":"https:\/\/thebkmag.com\/?p=2763"},"modified":"2009-11-29T01:53:36","modified_gmt":"2009-11-29T00:53:36","slug":"fashion-photographer-phalasies","status":"publish","type":"post","link":"https:\/\/thebkmag.com\/rebuild\/photography\/fashion-photographer-phalasies\/","title":{"rendered":"Fashion Photographer Phalasies"},"content":{"rendered":"
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\"\"<\/a><\/dt>\n
\u00a9 Benjamin Kanarek<\/dd>\n<\/dl>\n<\/div>\n

I have been asked on many occasions about how one might embark on to the rocky road of the Fashion Business.\u00a0 I discussed this topic from an academic perspective in one of my earlier essays.\u00a0 However, I feel compelled to discuss some of the “Phalasies” associated with breaking in to the “Biz”.<\/p>\n

Do you have to be a good photographer to break in to the fashion industry?<\/p>\n

The answer in an unequivocal NO!\u00a0 It hasn’t so much to do with talent, but with attitude, panache, perspective and audacity.\u00a0 How you perceive and translate the social fabric (no pun intended) in to imagery is a very important part of the process.<\/p>\n

Do you need to be good technically to succeed?<\/p>\n

Again, the answer is a very adamant NO!!!\u00a0 As any photographer can ally themselves with a good post production company or individual, getting your images to look polished or really unpolished is not difficult.\u00a0 When I shot with film and photoshop was not as yet in the mainstream and in it’s infancy, I actually had to get it right from the get go.\u00a0 If not, I wouldn’t get past first base.<\/p>\n

Can I get the job once my Portfolio is ready?<\/p>\n

What is ready? Actually the answer is, it depends. Unfortunately having a Great Book, will not do the trick.\u00a0 Networking is one of the most important aspects of getting a gig. Knowing the appropriate person in the right position to give you an opportunity is essential. Also knowing who not to ask is as important as knowing who to ask. If you did not know that going to the Art Director shows your naivety by not knowing that it would have been better to see the Editor for a specific magazine, that alone can ruin your chances of getting in to the circle. The inverse also applies in other cases.\u00a0 Going to see the Editor can really piss off the Art Director. They may think that you were trying to circumvent their authority.\u00a0 It is a very political business in that respect. Do your research and find out who can really make the decision. It is often more than just one person. But none the less do you HOMEWORK.<\/p>\n

To succeed, do you need to be in the major centers?<\/p>\n

The answer is YES!<\/p>\n

If you are not in New York, Paris, London, Milan, Los Angeles or Tokyo and in some cases, Madrid, Sao Paulo, Chicago, Munich, Miami, Toronto, Berlin and Moscow, best to reconsider your goals. Be ready to pack your bags and prepare yourself for a fun ride.<\/p>\n

Do I need “Pro Gear” to break in to the business?<\/p>\n

NO, NO and NO.\u00a0 Work with what you have and when you get the job, the client will pay for the rental of anything you might need to accomplish the completion of the project. I don’t have a studio. I have some flash gear for my own personal work and to experiment with. In all cases, the client has paid\u00a0 and will do so for all of the technical support costs. I just have to bring myself to the shoot. I can bring an assistant or use the assistants available at the studio. If I want to use my gear and it is appropriate to get the job done, I will do so. It is You<\/strong> and not your gear<\/strong> that they are hiring.<\/p>\n

More “Photographer Phalasies” to Come…<\/p>\n

Great Bert Stern<\/strong><\/em> Video
\n<\/object>
\nHere is how NOT<\/em><\/span> <\/span>to be a Fashion Photographer<\/em><\/span><\/strong>
\n<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

I have been asked on many occasions about how one might embark on to the road of the fashion business<\/p>\n","protected":false},"author":1,"featured_media":2764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[37],"tags":[657,746,95,54,55],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thebkmag.com\/rebuild\/wp-content\/uploads\/2009\/11\/reload1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paG8MM-Iz","jetpack-related-posts":[{"id":14380,"url":"https:\/\/thebkmag.com\/rebuild\/fashion-luxury-industry\/politics-fashion-photography-part-19-do-you-know-your-designers\/","url_meta":{"origin":2763,"position":0},"title":"The Politics of Fashion Photography Part 19 – Do You Know Your Designers?","author":"Benjamin Kanarek","date":"March 5, 2011","format":false,"excerpt":"\u00a0 Have you heard of Gareth Pugh, Manish Arora, Jantaminiau, Haider Ackermann, Alexander Wang, Iris van Herpen, Pedro Louren\u00e7o, Maxime Simoens... ? 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