{"id":15748,"date":"2011-04-16T14:37:30","date_gmt":"2011-04-16T12:37:30","guid":{"rendered":"https:\/\/thebkmag.com\/?p=15748"},"modified":"2011-04-16T14:37:30","modified_gmt":"2011-04-16T12:37:30","slug":"emmanuelle-alt-hans-feurer-vogue-paris","status":"publish","type":"post","link":"https:\/\/thebkmag.com\/rebuild\/fashion-luxury-industry\/emmanuelle-alt-hans-feurer-vogue-paris\/","title":{"rendered":"Hans Feurer back in VOGUE Paris"},"content":{"rendered":"
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Emmanuelle Alt \u00a9 Garance Dor\u00e9<\/dd>\n<\/dl>\n<\/div>\n
Emmanuelle Alt is writing her own ticket for VOGUE Paris. I was not expecting a fundamental change in the Editorial Direction being that she has been the Fashion Director of the magazine for over ten years and collaborating with Carine Roitfeld. Thus the assumption that there would be little change from the status quo. However, the April 2011 issue of VOGUE Paris gives a clear new direction; bye bye porno chic, provocation, unjustified nudity, welcome softness, lifestyle, casual clothing. Emmanuelle’s approach is more consensual and obviously more commercial, which the fashion customer might find more accessible.<\/h6>\n

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I want to show in French Vogue more and more a lot of clothes … It\u2019s a different point of view, but nobody gave me a mission to change it or make it more commercial. she stressed in her\u00a0WWD’s interview<\/a><\/span><\/p><\/blockquote>\n<\/div>\n

Her vision of fashion is also conditioned by the choice of photographers she has decided to collaborate with and thus don’t expect any radical changes in those she has already worked with.<\/p>\n

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I want to keep the quality, the photographers we work with\u2014David Sims, Mert <\/strong>and Marcus, Mario Testino, <\/strong>and Bruce Weber.<\/strong> I don\u2019t think there should be radical changes. The magazine should still be chic and sophisticated.\u00a0VOGUE.com interview<\/a><\/span><\/p>\n<\/blockquote>\n

There has been one huge surprise however…\u00a0The Return of Hans Feurer in VOGUE Paris<\/a> is great news and a welcome change.<\/p>\n

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Hans Feurer \u00a9DR<\/dd>\n<\/dl>\n<\/div>\n

Hans Feurer’s style is easily recognizable:<\/p>\n